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Oreck Photo Shoot

I’m very excited to share this shoot for Oreck with you for two reasons: one, I really love how the images came out and two, I finally got to partner up with great folks at Wonderful Machine who have listed me on their site for years.

Shooting home goods products on location is something of a specialty for me. I’ve worked for many brands like Rejuvenation, Gunlocke, Hunter Douglas and others to highlight their products being used in a real location. My interior design photography background really compliments this type of work. What was slightly different about the Oreck shoot was the approach. As Oreck’s art director Rybe Henderson showed me, the action to vacuums and air purifiers is ground level. We really had to think outside the box (even mounting my camera upside down at one point) to find these hero angles. We also didn’t want to show off the room too much, so many of these shots are shot with a shallow depth of field. Very different from a typical interior shoot. I’m really happy how the shots came out and you can see them being used currently on Oreck’s website and social media.

The shoot was produced by my good friends at Wonderful Machine. If you’re unfamiliar, they are one of the best places to find a photographer anywhere in the world. They also do production and have worked with lots of their photographers to make shoots happen for all kinds of clientele. Julia Hanley was the on site producer and really went the extra mile to make this such a successful shoot. She organized the talent, hired the stylist Patti Borelli, arranged catering, built furniture, and even made a few Ikea runs for props. The best producers do it all and Julia is a total pro. A great shoot is almost always guaranteed when there’s good art direction combined with great crew. Special thanks to my digital tech Peter Grill and assistant Daniel Clark for working hard to keep the shoot organized and on schedule.

Here are the rest of the images also featured in my WORK section of my website. Thanks for looking!

Country Living – Cloverfield Farm

I have to admit, one of the biggest perks to my editorial shoots is meeting incredible people and spending time in their beautiful homes. Such is the case of Cloverfield Farm recently featured in Country Living Magazine. This stunning rustic barn home is the dream effort of the sweetest couple Jessica & Kevin Carnell. Jessica has a great Instagram feed (@growing_cloverfield_farm) of the whole project from start to finish. They were incredibly hospitable, making us feel very welcome and even cooking some amazing food. Check out this spread on my Instagram feed (@growing_cloverfield_farm). I really enjoyed this shoot and got some wonderful images as well. To see more images from the shoot, visit the Work Section of my website.

Then and Now

I was going through my archive the other day and stumbled on the first kitchen I ever photographed:

I shot this way back in January of 2003, on film, with a Nikon F4, and a manual focus 20mm lens. I shot it on Kodak E100VS slide film and I think I scanned it on a Nikon scanner, too. My memory is a little hazy on the digital stuff since it was so new then and changing so quickly. I shot film for the first three years of my career and learned a lot by making some very expensive mistakes. Fortunately, this shot wasn’t a total failure. But it shows me how lucky I am to have the technology I have today to do my job. Back then, I just had to guess that the shot was going to turn out. I had to trust that I focused correctly. I did sometimes shoot a test shot on Polaroids, but you really didn’t know what the the film was going to look like until it was processed. I had many sleepless nights waiting for the film to come back.

Things are so much better now. Take for example, this kitchen I shot November of 2012:

Almost a decade later and I was shooting this with a Canon 5D Mark II, 24mm TS-E II, and tethered to a MacBook Pro with Retina display. I could Live View the shot and see exactly what it was going to look like after I pressed the shutter. I knew exactly if the chairs were lined up correctly. And I knew I was going to have to shoot a bracket to get an exposure for the view to Photoshop in later. With digital, I have total control of the look and feel from set all the way to client delivery. No worries about labs messing up your film. No hassle and image quality degradation from scanning. It’s as perfect as a photo can be. Once digital hit 6MP, I was all in. Now were up to 50MP like it ain’t no thing.

It’s hard for me to imagine what I’ll be shooting 10 years from now. I do feel things are about to change again in a big way. Mirrorless cameras will definitely probably surpass and overtake the traditional DSLRs. I can’t wait till Canon comes out with a mirrorless version of the 5D. I shoot that camera on Live View 90% of the time on my architecture shoots. The mirror just gets in the way. The iPhone is an amazing point shoot that you always have with you. It’s not the best quality, but for small quick shots it can’t be beat. And then you have crazy compact cameras like the L16 by Light that has a field of tiny lenses to make one awesome camera that rivals a DSLR. I’m dying for a good travel camera and I would love to have the L16 in my back pocket, rather than lugging around a whole kit. Can’t wait to test it out.

Anyway, no matter where the technology goes, I’ll be sure to keep up and use it to take the best possible photography I can take. As Eve Arnold once said, “It is the photographer, not the camera, that is the instrument.”

Hunter Douglas Beauty Books

I recently added a new Featured Work Gallery for two shoots I did for Hunter Douglas’s Luminette and Nantucket product lines. The photos we created for these shoots were used in their dealer sample books, website, social media, marketing materials, you name it!

Both shoots were HUGE productions. Unlike other architectural product shoots where the product is already in place, we had to find locations with the right type of windows and then Hunter Douglas custom made their window fashions to fit the locations. We did multiple days of location scouting about month before each shoot. Hunter Douglas then fabricated the custom product and shipped them to me for holding; something like 70 boxes, 4 to 10 ft in length, and a foot or so wide. It was quite a logistical challenge to find a place to store them for the shoots. I ended up renting a warehouse for one shoot and a conference room at our hotel for the other.

In addition to my producer, two assistants, and a digital tech, we had a crew of about dozen including a lead stylist, stylist assistants, installers, furniture movers, plus an art director and 3 or 4 clients at a time. Lots of people! On our last shoot in San Diego, we had so many people we just hired a food truck to cater. It was awesome and delicious.

Each shot requires a lot of set up. Just installing the product can take half a day. Once the product is up, we then compose, style, and light each shot. We’re maybe getting 1 to 2 hero shots done in a day at each location.

Gear wise, I used the ALPA Max and Alpa XY with the Phase One IQ250 Digital Back. I won’t geek out too much on gear here, but if you’re interested check out the links above.

It’s been a great brand to shoot for and the people I work for are just awesome. For as big as these shoots were, both went off without a hitch and the client was super happy with results. It must be going well, because they’re having me out again this year for a 10 day shoot in June.

High Fives to all the folks I’ve worked with on these shoots, especially Karen Beck, Heather Smith, Bergren Rameson, Mike Grippi, Ben Canales, Kennett Morhman, and Garrett Priddy. Love you all!

Check out the full gallery of images here: https://www.lincolnbarbour.com/work/hunter-douglas/

Thanks!

Hard to believe, but I took this shot way back in January of 2006! Orginally shot for @pomomagazine, this beautiful home led me to working for @jhinteriordesign for the next 9 years. We did a lot of great work and collaborating with Jessica and her team was always a blast. Much of my portfolio today features her work including this one. #tbt #pdx #interiordesign #kitchen