Here’s some before and after examples of windows I’ve retouched.
Here is a really cool shoot I did for last month’s issue of Portland Monthly. Thomas Lauderdale, of Pink Martini fame, has this amazing house/building right in downtown Portland. It recently went through a huge restoration and remodel led by artist and designer Philip Iosca. It’s a pretty stunning place to call home, but I could see how fun it would be live here. Thomas and Philip were both really wonderful to work with on the shoot. The three story building made for some logistical problems, but nothing you can’t fix with a pair of assistants. Art directed by Michael Novak, he used a lot of my photos for the final piece and I love the big spreads he designed. One of my finer shoots for Portland Monthly.
The rest of the spreads are below and a gallery of the images on their own. If you missed the print version, you can read it online here. Rock on!
(Note: I didn’t gray out that one ad on the bottom right because it’s one of my shots I did recently for my great client Green Hammer. Advertising and Editorial living in harmony.)
Happy Thanksgiving Eve Everyone! I finally have a breather after what’s been an incredibly busy fall. It’s been too long since my last blog bust, but it feels good to be back. I have a major backlog of work to share, so subscribe to my RSS to get the latest and greatest.
I figured since many of us will be spending some time in the kitchen this weekend, I thought I’d show off this incredible kitchen remodel I shot for Jessica Helgerson Interior Design. It’s always a pleasure to shoot for Jessica and I’m so happy we’ve got to work together so much over the years. Her designs have always struck me as understated elegance. She has a way of making beautiful spaces that you can live in as well as admire. Plus they always photograph so well
Enjoy your holiday!
What a year it’s been! As you know, my wife and I had our first baby last December. Becoming Odin’s Dad has been one of the most rewarding experiences of my life. It’s been a slight period of adjustment finding a balance between work and my new family life. So, that’s why I am seriously behind on my blogging. But we’re in a good grove right now and I’ve got lots of cool things to share with you other than photos of my son (he’s pretty cute, huh?).
About a year ago, I embarked on creating a scalable version of my website, optimized for high resolution monitors. It’s taken a while because, well, it’s busy with a baby and running your own business. I also really wanted something unique to me and not just another template. I’d really like to thank WerkPress for helping me with this redesign. I asked for a lot and they delivered. I liked the previous look & feel and this new site is not too far removed from what I had before. What’s improved most are the Portfolio and Work galleries. My photography is all about the details and these super sized images really help show off the quality of the photographs I create. Plus it makes my food work look life-sized and you just might want to eat your screen.
All of my portfolios have been refreshed: Homes / Décor, Life (formally lifestyle), Food / Beverage, Architectural. I’ve also added two new portfolios highlighting Travel / Landscape and Workspaces. In the WORK section, I’ve broken out my tearsheets into two separate galleries: One highlighting magazine articles I’ve been published in and the other showcasing advertising assignments for print and web. I’m also highlighting work published in Dwell and Martha Stewart Living. Some new client work includes a great shoot I did for Northwest Pipe Company creating an image library for their marketing and advertising material. It was such a blast to fly all over the country and shoot lots of sparks, steel, and massively big machines making pipes of shapes and sizes.
It’s been a super busy summer and I’ve had the fortunate opportunity to shoot some really fantastic assignments. Here’s a quick run down and some pics.
Cover and Feature Story in Portland Bride & Groom (blog post coming soon)
Very cool office with a killer view by Risa Boyer Architecture
Huge image library shoot of food and restaurant lifestyle for Andina. My assistant and I tried to eat at least a little bit of everything we shot. I was full for days…
Super fun lifestyle shoot for Columbia Credit Union used in their home loan promotions in store, direct mail, and online.
Highest of High End – Library House designed by Jessica Helgerson Interior Design and built by The Works.
Does it get any better than this? Alhambra Kitchen, also by Jessica Helgerson Interior Design.
This might be the most amazing loft I’ve photographed to date. Designed by Emerick Architects. Blog post coming soon!
More work on the way! Just waiting for some things to get published. Subscribe now and stay in the loop!
I recently passed on job that was such a bad deal, I had to share. Below is the job description and my thoughts on it.
Thank you for the fast response! Below is the run down for the job.
We’ll be putting together a list of (roughly) 60 venues (restaurants, bars, concert spaces) that we’ll want to have shot. I will contact each of the venues and set up an appointment time, as well as a point of reference for you to go and photograph the venues.
WOW!!! 60 locations to shoot! A good architectural photograph takes 30 to 45 minutes to set up a shoot (though I’ve been known to spend hours on a single shot). Add on set up, break down, and travel time, and you’re looking at a full day of work just to shoot two locations. Hope it pays enough to justify passing on other jobs for 30 days.
We’ll want 4-5 interior shots of each space, just to give us a few options (we work with Photomatix Pro so three different exposures per shot would be ideal). In the past, our photographers have used just the natural light that the restaurant normally has set up when they are open, like mood lighting, candles, etc., no strobes or extra lights, and then the photographer shoots in that interior space. They shoot without assistants. They shoot just before the restaurant opens or just after they close so they can avoid people in the space.
Now hold on a sec… do you want high-quality photography that captures the spirit of the space? Shots that make will make people want to go to the restaurant, bar, or concert space? Shots that are in-focus, properly exposed, and tack-sharp? If so, I will need to shoot the way that I think it is best, which almost always means that I bring my own lighting, a skilled assistant, and a trained stylist. Also, if you don’t want people in your shots, then I will only be able to shoot two locations a day. One from 7am to 9am and one from 3am to 5am (those hours sound brutal).
There would be no need for you to do any post-production on the pictures. I will edit the images in terms of color correction and cropping etc. So we would take that off of your plate. Just shooting and uploading. We would just have to work out how we would upload the raw files from you (in the past we’ve used Box.com and Dropbox.com).
You don’t hire me to push a button. You hire me for my technical knowledge and creative skills. Monkeys push buttons. I’m a photographer, damnit.
So for that job as described, we can offer $50 per venue and a total of $3,000 for the complete project.
*gasp* (it gets worse)
And as in all past projects such as this, we need ownership of the photos. We are a content distributer and need to be able to utilize the photos on any platform as we move into in the future. We can’t enter into deals in which we would need to go back to the photographer or any other vendor with further licensing requests. We also may want to compile all photos from every city into some sort of anthology in the future. Finally, we work with partners editorially sometimes and can’t go back to the photographer anytime we need to enter into a content partnership. We’ve worked on this basis in multiple cities and haven’t paid a premium for this type of license and unfortunately can’t start now.
So, for $50 a location, $10 a photo, you basically want unlimited, unrestricted use of my intellectual property? Intellectual property that you can do whatever you want with now and into the future…ANNNNNND you want to pass on the photos to 3rd parties without compensation to me??!?! For $10 a photo??!?!?!?!?
However, that said, we can give you a limited license to show the work in your portfolio and sell to venues to make extra money from the work. But we don’t want you selling the photos to places like BLAHBLAH (a main competitor) in the future, the limited license would allow you to sell the photos back to the venue themselves. So that’s our situation with rights and ownership.
Gee thanks, but since you’re handling the post production, I won’t have access to the final retouched versions of the images. So, I will have to retouch the shots myself (which takes a half day of work for a day of shooting) if I want to use them for my portfolio or attempt to relicense the work to the venues. Who knows, maybe the venues will pay for the shots with with beer and pretzels!?
As I said, I’m really excited about your work and I hope we can work something out. Let me know if you have any questions or thoughts about the project.
I don’t believe you are really excited about my work. If you knew anything about what I do, you would know that I care way to much to shoot these spaces in the way you are suggesting and for so little compensation.
It boggles my mind that they would look at my work and ask me to shoot like this. What is even more frustrating is that there will be some photographer out there who will do this job. Even as a pay-your-dues, portfolio-builder, need-experience kind of gig, this job is ridiculously low-paying and devalues the photo industry as a whole. This is microstock pay for custom exclusive work. This is a bad deal.
Maybe I could have negotiated the price up, but the starting point was so low from where I would need it to be, it just wasn’t worth my time. I passed on this job and you should, too.
For the summer issue of Luxe magazine, I have two features in the same issue from two awesome clients. The cover story features a stunning penthouse designed by Kim Hagstette of Maven Interiors that I photographed last winter. Here are the tearsheets from the magazine
The other feature is beautiful mediterranean style home designed by Holly Freres of JHL Design. This classy estate in the heart of Willamette Valley was a lot of fun to shoot and I’m happy to see it get published.
This just floated into my inbox today: Out of 1000 House Tours on popular home decor site Houzz.com, Jessica Helgerson’s Tiny House I photographed is the third most popular. I’m certainly not surprised. It was one of those magical shoots where the right pieces came together. Great design, great light, and a little help from the Lincoln Barbour touch and you get beautiful photography that gets noticed.
This was part of a large sign with names of donors who helped build Dorasan Station, the last stop before entering North Korea by train. The rail line was used at one point for a joint economic venture between North and South. In 2008, The North Koreans shut the program down and closed the border after only one year of use. The South Koreans seem really saddened by the divide. One sign at the station reads: ”Not the last station from the South, But the first station toward the North.”
I took a day trip to the DMZ which is the 2.5 mile (heavily fortified) buffer zone between North Korea and South Korea. It was cold, windy, and pouring rain. It just felt like a bad place. The village in the distance is called Kijong-dong or “Peace Village” but our American GI tour guides told us everyone calls it propaganda village. There’s actually no one living in the village. It’s just made to look like a bustling and modern city to entice South Koreans to defect to the North. Most of the larger buildings are hollow on the inside. They GIs could tell because the lighting faded from the top floors to the bottom. Smoke and mirrors…
Side Note: I shot this with my Lomo on Kodak Portra 400 because my 5D Mark II got soaked and stopped working a few hours into the tour. Doh!
It’s a shame to me that most of the goods and products we buy have such a short lifespan.
What a year it’s been! As you know, my wife and I had our first baby last December. Becoming O...
Here is a really cool shoot I did for last month’s issue of Portland Monthly. Thomas Lauderdal...
This was part of a large sign with names of donors who helped build Dorasan Station, the last stop ...
Here’s some before and after examples of windows I’ve retouched....
I’ve been a member of Wonderful Machine for several years now. A lot of great things (big and ...