So, imagine for a moment that Canon really does come out with a full frame square sensor. Imagine it’s around 40mp. Now imagine putting that camera body digital back on a view camera and being able to use Rodenstock digital lenses (some of the sharpest and clearest lenses I’ve ever used). That would be sweet.
For architecture photography, this is not a great solution. The widest digital view camera lens is a 28mm and it’s very dark with not a lot of movement.
But, for food and product photography, this is a life saver. You can pick up a used Sinar pretty cheap and this adapter is about $1,870. It’s pretty inexpensive solution for high quality view camera system. The newer digital lenses though, are not cheap. I wonder if anyone’s done a shootout between older view camera lenses and newer ones.
Earlier this year, I was invited by Newspace Center for Photography to teach an architectural photography workshop. I was very honored and humbled that they thought of me. I’ve done a few other classes/workshops, but this was a full day class and much more involved than what I’ve done before. The class consisted of a presentation on the basics of architecture photography, followed by an afternoon photo walk where I helped each student set up their shots and demonstrated how to use tilt-shift lenses. I then gave them all various assignments to shoot on their own and we met the following week for a review.
It was a really great experience and I hope everyone who took the workshop got something out of it. It was certainly great for me to go back to all the basics and refresh my memory. As they say, “The best way to learn something is to teach it.”
“…in a world where photographers traditionally price their product based on usage, what is “unlimited” use worth? There have always been photographers who intentionally or unknowingly ignore the subject of licensing, or otherwise simply give away unlimited use of their pictures without charging a premium for it. Those tend to be young photographers who don’t know any better, or established photographers who have found that it’s the only way they can compete, or they couldn’t be bothered with the extra work involved in understanding how image licensing works and explaining it to their clients.
However, in most of these cases, pricing photography “by the day” is a dysfunctional system, and not in the interests of the photographer or the client. There’s an inherent conflict when a photographer is compensated in inverse proportion to her productivity. The more photographs she produces, the less she is paid for each of them. Any photographer’s natural motivation will be to produce enough work to satisfy the expectations of the client, and no more. That is no way to run a business.”
Funny story about this doughnut: I was on assignment for American Airlines in flight magazine, American Way, and part of the assignment was to shoot Voodoo Doughnuts. I was trying to shoot an interior of the downtown location, but it happened to be during Spring Break. The place was totally mobbed and had to wait in line for 30 minutes just to get inside. If you’ve never been to the downtown Voodoo Doughnuts, it’s about the size of dorm room. Getting a clean, travel-esque, interior photo is nearly impossible when the place is empty. It was just ludicrous to even try with the place packed shoulder to shoulder with high school kids.
Hands down, the iPhone is the best damn tool a photographer can have. Here’s one more reason why:
iRelease helps transform your old paper model release forms into information you can use. This powerful cloud based mobile application, in combination with its sophisticated ‘Live Syncing’ online account, organizes your forms into an easy to use and robust online filing system. It’s just a simple three step process, type in the models details, get them to sign the screen, take their photo, and then the device takes over from there. It automatically creates a complete model release from, saves a copy to your device and syncs the form to your online account. You can even email a PDF directly from the application. Its quick & easy, and it does the heavy lifting for you!
Took my first crack at shooting video this past week. I’ve been toying around with the 5D Mark II’s video mode since I got the camera last year. It was neat, but I really didn’t have much interest in it