Midcentury Modern Shoot Featured on Dwell

A few years back, I shot an incredible midcentury modern remodeled home for my client, Portland, OR based JHL Design. I really loved the shots we got from this shoot and apparently my client and I weren’t the only ones. Dwell.com recently featured the shooton their blog! Here’s a snippet from the before and after article:

An old home in Lake Oswego, Oregon, receives a modern makeover, while keeping its midcentury charm intact.

Oregon–based David Horning of MOA Architecture has joined forces with principal designer Holly Freres of JHL Design to carefully renovate the 1955 three-bedroom dwelling. By using period-appropriate materials, the team has not only restored the property to its original warmth and charm, but also infused a modern, contemporary vibe. To emphasize the home’s tranquil lakeside location, two 10-foot sliding doors have been added to the living room to enable a seamless connection to the outdoors.

Jennifer Baum Lagdameo

Check out the whole article here: https://www.dwell.com/article/before-and-after-a-midcentury-lakeside-home-receives-a-stunning-new-look-fa200630

Here’s a gallery of the “after” shots I took. The space is just stunning!

Shooting Gunlocke’s Saranac Launch and Metta Chair Brochure

A little while back, Rochester, NY based agency Truth Collective reached out to me to shoot for high end furniture maker, Gunlocke. The shoot took place in Buffalo, NY, near the Gunlocke manufacturing facility. They make all their furniture in the US and it’s craftsman quality work. I was really impressed by how passionate the client was about their products. It was a joy to photograph and they were great to work with.

The shoot had three parts which we shot over three days: an ad campaign with talent, multiple location shots, and a studio day to shoot product shots and details. We also built a set wall to convert an event space into a cool industrial office space.

We had a great crew for the shoot. I worked with local location scouts, assistants, and producer John Takacs. The prop and wardrobe stylist was the great Raina Kattelson out of NYC. And my digital tech, Esteban Aladro, also came up from NYC with lighting gear (thanks Este!). If you’re ever in Buffalo, NY and need a studio, I can’t say enough good things about DPost

We had a tight window to get all this work done and it wouldn’t have been possible without the great art direction of Karrie Gurnow of Truth Collective. She really knew what she wanted and we worked together really well. Super smooth shoot and the client was very happy with the results.

Here’s what I shot for Gunlocke:

2017 Highlights

One of my New Year’s Resolutions was to blog more and I’m off to a strong start with this mega post. One of my favorite things to do this time of year is look back at everything I shot the prior year and pull favorites for portfolio consideration. I’ve culled that collection down to a great highlight gallery of another very busy year.

Gallaudet University High School Residence Hall – Dangermond Keane Architecture

I started off the year with a chilly shoot in Washington D.C. for Dangermond Keane Architecture. Gallaudet University is a federally chartered private university for the education of the Deaf and hard of hearing. They have a high school program and the students live on campus. Dangermond Keane Architecture designed this amazing residence hall for them and it was really fun and challenging to shoot. All the students we used communicated through sign language, so we had to work with an interpreter to place the students in the shots. We also wanted to get the signing action in the shot, so there were a lot takes. Very cool experience to see how these kids live and play together.

 

College of William & Mary Law School: Hixon Center for Experiential Learning + Leadership – VMDO Architects

I did a lot of work with VMDO this year. It’s so nice having a local client doing amazing work in the area. Not that I mind traveling, but it’s nice to be able to come home after a shoot now and then. This was a quick shoot we did in February. Our dusk shot almost got rained out, but it cleared up just in time. I did have to shoot under an umbrella because the tree I was under was dripping from the rain earlier.

Shriner’s Hospital of Lexington, KY – EOPA and SRG Partnership, Inc.

This was a multi-party shoot organized EOPA and SRG Partnership. Back in Portland, I shot a lot for SRG. I felt very fortunate that I could shoot one of their projects on this side of the country. The Shriner’s Hospital of Lexington, KY was just about to open and we got in literally the last two days before they started seeing patients. Everything was brand new and we brought in models to stage the shots. Very happy with the results and definitely will be adding some of these to my architecture portfolio.

The Joinery 2017 Catalog Images

This is the second consecutive year I’ve flown back to Portland to shoot The Joinery’s annual catalog. I love their furniture. It’s amazing work, hand crafted right in Portland, OR. Solid wood and great design. I would love to outfit my whole house with their pieces. Their look is timeless and it will last forever. The shoot was styled by the amazing Bergren Rameson. So stoked when I get to work with her.

Lynchburg City Stadium Renovations – VMDO

Originally built in 1939 as part of the New Deal Works program, VMDO undertook an extensive renovation project to modernize the entrance and create additional facilities for visitors and teams. We had amazing weather all day with some pretty dramatic clouds. The dusk shots were some of my favorites of all time.

Bay Area Apartments – Prometheus Real Estate Group

For the third year in a row, I headed out to sunny Silicon Valley to shoot some architectural lifestyle images of Prometheus’ amazing apartments. About an even split of remodels and new builds, all these places are like the best places to live in the Bay Area. We focused mostly on the amenity spaces and I’m continually impressed how much thought goes into them. Really happy with last year’s shoot. It was hard to narrow down my favorites. Produced by the amazing Heather Smith of Smith X Union and styled by the brilliant Ashley Montague.

Brooks Family YMCA – VMDO

I did say I shot a lot for VMDO this year 🙂 Located in the heart of Charlottesville, the Brooks Family YMCA is a beautiful facility that’s quickly becoming an anchor of the community. I shot it three times over the year, twice on land and once from the air (via drone). What I really like about the building is the openness and transparency. It’s got a great vibe and I was honored to photograph it.

Oreck Image Library

I really had fun at this shoot. It’s easy to get trapped into a standard “product in environment” look when shooting things like vacuums and air purifiers. Fortunately, we had a great art director (Rybe Henderson) who helped push these into the hero shots below. Produced by Wonderful Machine. To learn more, check out my blog post here.

Pool House – Grounded Landscape Architecture & Design

I love simple spaces and this pool house and sunken pool designed by Grounded is case in point. I’m not usually a big sit-by-the-pool guy, but I could definitely relax here for a very long time and be perfectly happy. Also, got to fly my drone for some aerial perspectives. It was a good day.

Cloverfield Farm – Country Living

Technically shot in 2016, but it wasn’t published until fall of 2017. That’s always so hard with these editorial shoots. You do some really great work and then you have to wait a whole year before you can show anyone. The getaway home is about an hour from Memphis in the Mississippi country side. The owners Jessica & Kevin Carnell were so sweet and Jessica has a great Instagram feed (@growing_cloverfield_farm) of the whole project from start to finish. Read more on my blog post here.

Eastmoreland Project – Charla Ray Interior Design

I traveled back to Portland, OR in November for these next few projects. This first shoot was a private residence floor to ceiling remodel of a classic SE Portland home in Eastmoreland by Charla Ray Interior Design. Super lux vibe here and some great bold colors. Charla’s very talented and so nice to shoot for. Really happy with these shots.

Cosmo Modern – JHL Design

I don’t mean this to sound flippant, but I’m not often in total awe of an interior. I’ve seen a lot of homes at this point and they are all great in their own way. This one though was something else. I was almost intimidated to shoot it. It was so well done and just wanted to get it right. Fortunately, Holly Freres and her team are awesome to work with. I did my best and if you think these shots are cool, you should see the actual space (sorry they don’t do tours).

Arch Cape – Luxe Magazine

I got a cover for this shoot! That’s my next blog post. Designed by Holly Freres of JHL Designs (see above) and her husband architect David Horning, the two of them teamed up to create this amazing modern coast house for a Portland couple. I really dig modernism and it’s rare you find a project like this on the Oregon Coast. I’ll get into more details in the next post, for now enjoy these sneak peeks.

Liberty University Indoor Practice Facility – VMDO

These last three projects were all shot for VMDO. They kept me busy last year and so grateful. VMDO has been doing some extensive work down at Liberty University. They’ve really transformed the entire vibe of the campus. This practice facility is huge. It fits a whole football field inside with goal posts. I love the design and it was one of those buildings that just photographed well.

Greer Environmental Sciences Center, Virginia Weslyan University – VMDO

I’ve said it before, but I totally would have liked school better if I went nowadays. This new science building at Virginia Weslyan Univerity designed by VMDO makes me want to learn. One of the coolest features was the landscaping outside the building is used in the students research projects.

 

Discovery Elementary Time-Lapse – CMTA Engineers

I’ve totally caught the time-lapse bug. I always thought the way I shoot people in spaces could be used in time-lapse. I often shoot multiple frames to find that perfect moment. With time-lapse, you just let it go wild. These three are just the beginning for me. Can’t wait to do more!!

University of Virginia Gooch Dillard Residence Hall Renovation – VMDO

One of my last shoots of the year, the UVA residence hall remodel by VMDO has some great storytelling moments. I feel that’s what one of my better specialties. My shots tell the story of how a space is used. It’s more than architecture, more than lifestyle, it’s a documentary in a single frame.

And that’s it! Thanks for reading through all of this if you made it to bottom. I shot a lot more than just these, but some I can’t share yet. That’ll go on next year’s Best of 2018 blog post 😉

Looking forward to another great year! Reach out to me and let me know how I can help you create the images you need.

New Services for 2018! Drone Imaging and Full Motion Time-Lapse

Happy New Year! I’m very excited to share some news about two new services. Over the past six months I’ve been getting up to speed with drone technology and time-lapse photography and I’m now ready to offer it in addition to my still photography services.

Drone Imaging

Flying a drone is fairly easy and they have become quiet common over the past few years. But, did you know you can be fined millions of dollars for flying a drone in controlled airspace? You can also be fined for flying a drone commercially without an FAA license. I’ve taken several drone courses and passed my FAA Part 107 Remote Pilot Certification last year. This means I can legally fly my drone for commercial purposes. I understand the rules governing drone operations and can now apply for special waivers, as well. It also means I can be insured. Insurance companies won’t issue a policy to anyone operating a drone commercially who does not have their FAA Part 107 License. Flying without insurance or a license is very bad. Hire me instead 🙂

Here are a few examples of some drone work I’ve done recently.

Like what you see? Reach out to me today to discuss any needs you might have for your project.

Time-Lapse Photography

I’ve always admired time-lapse photography. I think it’s beautiful way to showcase spaces and the environment, blurring the line between motion and still. It’s something I’ve wanted to invest in for a long time, but never had much call for it. This fall, a client of mine reached out to me looking to shoot multiple time-lapses of an elementary school project I shot stills for a few years ago. They needed the time-lapse clips as a feature on their new website’s landing page. I took the opportunity and ran with it. I’m very happy with how it came out and here are the results.

I can’t wait to shoot more of these. Please reach out to me today if you’re in need of some wow factor time-lapse photography.

Thanks!

Country Living – Cloverfield Farm

I have to admit, one of the biggest perks to my editorial shoots is meeting incredible people and spending time in their beautiful homes. Such is the case of Cloverfield Farm recently featured in Country Living Magazine. This stunning rustic barn home is the dream effort of the sweetest couple Jessica & Kevin Carnell. Jessica has a great Instagram feed (@growing_cloverfield_farm) of the whole project from start to finish. They were incredibly hospitable, making us feel very welcome and even cooking some amazing food. Check out this spread on my Instagram feed (@growing_cloverfield_farm). I really enjoyed this shoot and got some wonderful images as well. To see more images from the shoot, visit the Work Section of my website.

Hunter Douglas Beauty Books

I recently added a new Featured Work Gallery for two shoots I did for Hunter Douglas’s Luminette and Nantucket product lines. The photos we created for these shoots were used in their dealer sample books, website, social media, marketing materials, you name it!

Both shoots were HUGE productions. Unlike other architectural product shoots where the product is already in place, we had to find locations with the right type of windows and then Hunter Douglas custom made their window fashions to fit the locations. We did multiple days of location scouting about month before each shoot. Hunter Douglas then fabricated the custom product and shipped them to me for holding; something like 70 boxes, 4 to 10 ft in length, and a foot or so wide. It was quite a logistical challenge to find a place to store them for the shoots. I ended up renting a warehouse for one shoot and a conference room at our hotel for the other.

In addition to my producer, two assistants, and a digital tech, we had a crew of about dozen including a lead stylist, stylist assistants, installers, furniture movers, plus an art director and 3 or 4 clients at a time. Lots of people! On our last shoot in San Diego, we had so many people we just hired a food truck to cater. It was awesome and delicious.

Each shot requires a lot of set up. Just installing the product can take half a day. Once the product is up, we then compose, style, and light each shot. We’re maybe getting 1 to 2 hero shots done in a day at each location.

Gear wise, I used the ALPA Max and Alpa XY with the Phase One IQ250 Digital Back. I won’t geek out too much on gear here, but if you’re interested check out the links above.

It’s been a great brand to shoot for and the people I work for are just awesome. For as big as these shoots were, both went off without a hitch and the client was super happy with results. It must be going well, because they’re having me out again this year for a 10 day shoot in June.

High Fives to all the folks I’ve worked with on these shoots, especially Karen Beck, Heather Smith, Bergren Rameson, Mike Grippi, Ben Canales, Kennett Morhman, and Garrett Priddy. Love you all!

Check out the full gallery of images here: https://www.lincolnbarbour.com/work/hunter-douglas/

Thanks!

2016 in Review

Wow, where does the time go! This is my first “Year in Review” since 2011. Why the long drought? Well, the biggest change was that we welcomed our firstborn, Odin, in December of 2012. Two years later, came his sister Teagan in December of 2014. Three short months later, we moved back to Virginia to be closer to family. Yeah, it’s been a little busy.

2016 was my first full year back on the East Coast and it was a really good year for my business. It did come with some sacrifice though. Now that I’m based in a small town, I have to travel a lot more than I did when I was based in Portland. Of the 35 shoots I did last year, only 4 were in Charlottesville and just 16 in Virginia. I’ve flown more miles for work in the last two years than I did in the last 5 years I lived in Portland. I’ve had shoots in Buffalo, New York City, The Hamptons, LA, Silicon Valley, DC, Ohio, Maryland, Mississippi, Alabama, Tennessee, San Diego, and have been back to Portland, OR 3 times. I was on the road or flying for 57 days in 2016 with one shoot lasting almost two weeks.

I really have to thank my wonderful wife, Lauren, and our family in Virginia for their support and help with our young family during this time of transition. I feel very grateful to have them so that I can do something I love for a living and that it’s able to help support a family of 4 (7 if you count our three cats 🙂

On to the work. I have a lot of images to share and I’ll give a brief comment what each shoot was for. Coming soon will be a big update to my portfolios featuring work I’ve shot for Hunter Douglas, Better Homes & Gardens, Country Living, Prometheus Real Estate Group, and many more. Thanks for visiting and looking forward to an even better 2017.

Country Living Cover Feature – I actually shot this in 2015, but it wasn’t published until January of 2016. A cover feature is a really nice way to start the year. Shot in Franklin, TN (near Nashville), I had a great time on this shoot because it was a beautiful home to photograph and, more importantly, the owners were so friendly. They had that true Southern Charm that just makes you feel like you’ve known them for years.

One of my trips back to Portland included doing a shoot of Jessica Helgerson’s new office space in downtown. It’s amazing open space and the front lobby is used a gallery. When I shot it, the installation I HAVE LOVE IN MY HEART AS A THIEF HAS RICHES by Mike Rathbun was truly something to behold.

Continue reading “2016 in Review” »

Play by Play of a Full Day Interior Design Photo Shoot

Saul Zaik is well known architect that’s famous for his Pacific Northwest take on mid-century modern design. He’s been practicing architecture since 1952 and I was lucky enough to photograph a Jessica Helgerson Interior Design remodel of one of his houses in the West Hills of Portland, OR.

For a different take on my typical blog post, I thought I’d do a play by play of each shot I took throughout the day and describe what it takes to pull off a typical one day interior design shoot.

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1st Shot – South Elevation
Since my client’s needs were more interior design related, we only took one main exterior shot that showed off the work they did. This angle shows the new home color, new deck, and patio furniture. I debated long and hard about shooting this angle at this time of day. The house is in the shade and typically you want sun on a building. But because of the surrounding trees, the house wouldn’t be in full sun until mid-day and that light would be really bad this time of year (shot mid summer). Late afternoon wouldn’t have worked either because the shadow lines would have created a lot more distracting angles on the architecture.

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2nd Shot – Patio Detail

This was a quick pickup that we went for since the light was looking good. Setup was pretty fast as we were all set from the previous shot. Exteriors go quick. The first two shots were done in about 30 minutes.

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3rd Shot – Living Room

Though I love the look of mid-century modern, it’s typically a challenge to shoot the interiors. In this house, the wood walls and wood ceiling suck up a lot of light. In order to create the beautiful natural light look, I opened up 2 stops over the ambient light reading. This totally blow out the window frames, so I had my assistant walk around with a solid white reflector on the outside of the windows to cut the light at the window frames. This gave me some darker window frames to work with I photoshopped all the frames together for natural look and then used a separate outside exposure for the view. All told, I used 11 frames in the final composite. This shot took about an hour start to finish and about two hours in post.

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4th Shot – Fireplace Detail

This was a simpler shot lighting wise, but the styling took a little longer. Jessica and her designers totally rearranged the bookshelf to create a balanced look. One tip when moving homeowners stuff: Always take a before picture so you know where things go back. This shot took about 45 minutes

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5th Shot – Dining Room

This shot went pretty quick. I used available light and added a little fill from a strobe bounced off a white card on the right side of the frame to open up the dining room table and chairs. I always use fill light in interiors; meaning my light is under the main ambient exposure by a stop or two. This opens up the shadows, while not becoming the dominant light source. There’s nothing more unnatural looking than an overpowered strobe in an interior. We knocked this one out in about 30 minutes.

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6th Shot – Kitchen

The kitchen area serves as a pass though from the dining room to the family room and bedrooms, which made it hard to find a good angle to shoot it from. We ended up at this spot because it best showed the height of the space and how it related to the dining room. I shot separate exposures for the open door and upper windows and dropped them in later. This shot went quick, maybe 3o minutes. After this shot, we took a lunch break for about 30 minutes. Don’t want to waste too much time when there’s more to shoot!

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7th & 8th Shot – Family Room

I put these up together since we shot them back to back over about an hour period. We shot two angles because one just didn’t explain this cool space well enough. The first is more of vignette and the second is more the room hero. I love both these shots. They feel so peaceful. Pillows and plants take a long time to style to look right. Fortunately, shooting live view speeds up the process because you can see changes in real time.

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9th Shot – Master Bath

The hardest part of this shot was that my camera and tripod were being reflected right in the middle of the shower’s glass wall. In post, I went in cloned out the reflection which was a little tricky with all that tile work. It was one of the those shots were post took more time than shooting it. This shot was all natural light. All in all, about 3o minutes to shoot and an hour of post.

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10th Shot – Bedroom Vignette

We liked this composition to show off the design elements, but a couple of the clocks on the wall were out of the frame. We wanted to show all the clocks together as a group, but didn’t want to put any new holes in the walls. To make it quick and easy, Jessica and her designers hand held two of the clocks in place and I shot them standing in the middle of the room. I then photoshopped them out with a blank base frame. This is one of those times where it was faster (and less destructive) to do it in Photoshop than in reality. I used a fill light on the left because the room was so much darker than the bright bathroom. About 30 minutes total on this shot.

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11th Shot – Carport

Not too much went into this shot. Mainly retouched out some oil stains on the concrete. Sweet car, huh? 15 minutes start to finish.

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12th Shot – Office

This is one my favorite office shots. Mainly, because it’s the office of amazingly talented photographer Ty Milford. It’s fun to see another shooters workspace and what they put up for inspiration. The room was shot available light, but I put a strobe in the hallway to brighten that up. 3o Minutes on this one.

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13th Shot – Kid’s Room

Small spaces are tricky to shoot. I don’t like to go too wide which distorts everything and looks weird to me. So, I usually get back as far as possible, sometimes with camera pressed up against a wall and shoot just wide enough to get the key elements in place. We didn’t do too much styling on this. Mainly, just tidied up and moved away some clutter. We spent about 3o minutes on this one.

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14th Shot – Powder Room Detail

On this shot, we all went back and forth about having the sconces on or not. The sconces were the only real light source and turning them off made it really dark. The only daylight was coming from down the hall and around the corner. When they were on, the sconces were distracting because your eyes went right to them and overpowered everything else. Ultimately, we ended up going with them off and shooting a long exposure (8 secs, f/13, iso 320) to create a brightness that wasn’t there in reality. To the human eye it looked dark, but with a camera you can see a lot more. Quick shot though, maybe 20 minutes.

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15th Shot – Hot Tub

Fairly simple styling on this shot. It mostly required some photoshop since the tub area was in shade and that blew out the view and the cool roof detail. I never shoot HDR for this kind of work because you have so much more control if you shoot separate exposures work in layers. HDR gives you a little too much information and can kill a natural look. We took about 20 minutes to shoot this and I did not jump in the hot tub, despite it being so inviting. Still had another shot to do 😉

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 16th Shot – Master Bedroom from the Outside

Here’s another shot that I had to deal with reflections. I placed the camera and tripod on the center point of  the door frame, so all I had to photoshop out was one leg being reflected. I had almost wrapped this shot when I went back to review and realized I was standing in reflection of the glass. So, I had to shoot all the brackets once more, but fortunately hadn’t moved the tripod.

And that’s a wrap. The day started 8:30am and we finished up at 6pm. This shoot was pretty typical for an interior design / residential architecture kind of shoot that I do. We were able to get through so many shots because Jessica and her team are awesome at styling and know what they want. We’ve also been working together for over 8 years and have a good rapport. Most of my successful shots come from collaborating and great styling, whether by the client or an professional interior stylist.

Feel free to ask me any questions in the comments below.

Huge Portfolio Update!

Ahh… new work on the website. It feels good. I’ve been super busy the past few years, not only with work, but with family, too. My son, Odin, was born in December of 2012 and my daughter, Teagan, was born in December of 2014. During that stretch of time, I also had some of my busiest years to date with shoots from so many great clients like Hunter Douglas, Country Living, OMSI, The Joinery, Jessica Helgerson Interior Design, Boora, Mahlum, Nike, and Rejuvenation to name a few. On top of that, we decided to move from Portland, OR to Charlottesville, VA to be closer to family last April. Yeah, crazy busy.

Since moving back to the East Coast, I’ve been traveling everywhere for work: California (3 times), Tennessee, Alabama, Georgia… I’ve traveled more for work this year than I have in the past 5 years. I feel very lucky to have a loving and supportive wife (and in laws) that’s allowed me to continue my career on the road.

Anyway, I finally found time to get a lot of new work online and I have SEVEN new portfolios to share with you. Quickly, they are Interiors, Exteriors, Details, Education, Workspaces, Lifestyle, Food Culture, and Food & Drink. This body of work represents the very best of my 13 year career. Here are some highlights and clicking on a photo will take you to the full gallery.

Lincoln Barbour Interiors Portfolio
Media Room by Maven Interiors

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Alhambra Kitchen by Jessica Helgerson Interior Design

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Hidden Modern Addition – Shot for Dwell

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Rose City Flushmount by Rejuvenation Lighting & House Parts

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PCC East Library by SRG Partnership Inc

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Plurasight HQ by Roundhouse Agency

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Lifestyle Shoot for Hassalo on Eighth

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Andina Restaurant – Portland, OR

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Left: Food in Bloom, Right: Andina Restaurant

Thanks for checking out my new work and please let me know what you think in the comments below.

Interviewed on PhotoShelter

As you may or may not know, I’ve been a PhotoShelter customer for several years now. I love their service. It is, by far, the BEST way to show proofs to clients and deliver high rez finals. It also easily fits in to my digital workflow with Lightroom via a plugin, so using it saves me tremendous amounts of time and energy. Time and energy that I now spend focusing on my business, rather than mundane tasks that waste countless hours like creating Adobe web galleries, FTPing files, or (cringe) burning DVDs.

Every job I’ve delivered since 2010 is online high rez. Not only can my current clients redownload their images at any time, but I can quickly share and relicense available images to new customers. As a bonus, it also serves as an offsite backup in case something every goes terribly wrong at my office (knock on wood).

Anyway, when Lauren Margolis of PhotoShelter asked me to do in an interview about my architectural and interior photography, I jumped at the opportunity. I was totally flattered and I think the interview came out really great. Click the link below to read it on PhotoShelter’s blog:

Architectural Photography: Just Like Playing Tetris…Right?.