2018 has started off great with this amazing cover feature I shot for January’s Pacific Northwest edition of Luxe Interiors + Design. Designed by husband and wife duo Holly Freres (JHL Design) and David Horning (MOA Architecture), this ultra cool coastal getaway was so much fun to shoot. I really admired the contrast of modern architecture and interior design with the natural rugged coastal surroundings. It was very zen and balanced. The whole house felt very cozy and the views stunning. Both Holly and David were there with me to help style the shots and clean the windows (thanks David).
True story: Holly texted me the day she got her copy head over heels that we made the cover. I was so excited for her and very proud to share these spreads with you. The full gallery is available in the WORK section of my website as well.
2016 is off to a great start with this cover feature for Country Living. I didn’t know it was going to be the cover when I shot last year and found out shortly before it went to press. After 14 years of shooting and getting published, it’s still very rewarding to see your work in print on a newsstand.
I had a great time at this shoot. I was in Franklin, TN for two full days of shooting. The charming rustic look of the house was really fun to photograph. Jami Supsic, Style Director for Country Living, brilliantly staged the shots and was super helpful in art direction, too. The homeowners, Mandy and Randy Reeves, were so friendly and hospitable. They didn’t even mind when we rearranged their living room for the cover try. Southern Charm at it’s best.
These kinds of shoots are team efforts and when you have a great team, the end results are fantastic. Here are the spreads from the feature story. Click to enlarge and enjoy!
Here is a really cool shoot I did for last month’s issue of Portland Monthly. Thomas Lauderdale, of Pink Martini fame, has this amazing house/building right in downtown Portland. It recently went through a huge restoration and remodel led by artist and designer Philip Iosca. It’s a pretty stunning place to call home, but I could see how fun it would be live here. Thomas and Philip were both really wonderful to work with on the shoot. The three story building made for some logistical problems, but nothing you can’t fix with a pair of assistants. Art directed by Michael Novak, he used a lot of my photos for the final piece and I love the big spreads he designed. One of my finer shoots for Portland Monthly.
The rest of the spreads are below and a gallery of the images on their own. If you missed the print version, you can read it online here. Rock on!
(Note: I didn’t gray out that one ad on the bottom right because it’s one of my shots I did recently for my great client Green Hammer. Advertising and Editorial living in harmony.)
The blog has been a little quiet lately, but that doesn’t mean I haven’t been busy. In fact, it’s been a great start to the year and I can’t wait to share some recent work. Timing of blog posts is often tricky for me. For example, part of this shoot for Portland Monthly I shot back in September of 2012. So, it’s been 8 months before I can even talk about and show the work.
These three small space were a fun challenge to photograph. The first house was only 11 feet wide on the inside. That’s probably the narrowest home I’ve ever shot. The other two apartments we’re typically small, but the owners really made use of the space with their design minded aesthetics. My friend Amara Holstein wrote the story and it’s a great read especially if you don’t know what to do with your own tiny place. Here are the spreads for a little inspiration.
Also from the December/January issue of GRAY, a shoot I did for JHL Design got the glossy treatment with this six page spread. The double truck kitchen shot looked killer in print. I was really happy for JHL to get published. I shot quite a few projects for them last year and Holly and Jasmine do excellent work. Plus, they were a lot of fun to work with. JHL Design just launched a new site and you should check it out: www.jhldesign.com
After a little blogging hiatus, it feels good to be writing again about what I’ve been up to lately. Got some good stuff in the queue covering personal work, photo business stuff, and lots of tearsheets. In fact, here are two cover features for GRAY Magazine that just ran back to back December/January and February/March.
This cover features the awesomely moody Gothic Office I shot for Jessica Helgerson Interior Design last year. I was really happy to see the shoot run in print. GRAY does a really nice job on their printing and the shots really pop off the page.
Then for the February/March issue, GRAY picked up a shoot I did a few years ago that I loved. Many of these shots are in my portfolio.
Well, look at that. My first shoot for Dwell and it’s a 5 page spread. Yet another feather in my editorial cap for what’s been a really busy year for me. This was such a fun shoot and I was really excited to get the assignment last May. Associate Photo Editor Julia Sabot flew me out to Boise, ID to “shoot the whole house” of this modern addition and renovation to a historic home. The project was designed by Portland-based firm Beebe Skidmore.
What I loved about this house is that, from the street, it looks like a classic bungalow and you would have no idea there’s a two story modern addition in the back. A clever trick acheived by building the new space about 6 feet in from the width of the original house. It’s great article and you should pick up a copy of the October issue of Dwell to read more about it and see the photos in print. There’s nothing quite as satisfying as seeing your work printed big in a glossy magazine that you can buy almost anywhere in the country. If you need instant satisfaction, you can read the story online at www.dwell.com/articles/New-Frontiers.html
On a personal note, homeowners Dan and Dana Zuckerman and their family were incredibly hospitable and I really enjoyed meeting them. Photographing someone’s home really gives you a good sense of who they are as people. The Zuckermans were warm, friendly, and inviting just like their beautiful home.
Continue reading “A Modern Addition in <i>Dwell</i>” »
I’m very proud of this shoot for Portland Bride & Groom for a number of reasons.
1 – Even though it’s a fashion and still life piece, the look of the work is very much my style. I like to think of myself as a stylistic photographer, so I love it when a shoot comes out very different from my main niches, yet looks like something I would shoot.
2 – The still life shots were done using available light, but the model shots were done using Profoto strobes. I’ve tried a number of things to replicate the look of window light artificially, but never was quite happy with the result. On this shoot, I discovered something that was a huge breakthrough for me technically. I usually try a bounce light first which I did here with two heads with magum reflectors bouncing into a white panel. The “ah ha” moment came when I put two 4×8 diffusion panels close to the model to soften the light even more and that created a wrap around light that looks natural. I also added a little kicker light off a silver reflector for the catchlights and to reduce the shadow side of her face a tad. I’ve used the same technique a number of times since this shoot and it’s just a fantastic go to when you don’t have available light to work with. Here’s a diagram:
3 – I thought the skin retouching I did on the model came out really beautiful and natural. Honestly, she really didn’t much and Celena Rubin did an excellent job with the hair & makeup, but the light pass I did really made her pop in print. The best part is it took my no time at all using onOne’s PhotoTools plugin for Photoshop.
Here are the rest of the tearsheets. Credits below. Continue reading “Language of Love” »