Featured

“I” Becomes “We”

Announcing LINCOLN BARBOUR STUDIO

For much of my 18-year career, I have thought about my business as the lone photographer model. It’s been centered around just what I could do with my own hands. I’ve become an architectural and commercial photography expert and now have over 1000 shoots under my belt. I’ve shot for firms like ZGF, DLR Group, and IDL and for brands like Hunter Douglas, Rejuvenation, and Hilton.

Now that I’m 43 and looking ahead to the future of my business, I’ve decided to change the nature of what I can offer to the world. To transform the business from “I” to “We”. To work alongside a team of highly creative and talented people that will help me expand my services for the AEC and Home Decor markets I mainly serve. To grow the business beyond just my talents. To take my careful attention to detail, thoughtful preparation, and easy-going nature and scale it up, if you will.

IDL Portland

I’ve already been doing this sort of thing by outsourcing production services like casting, prop styling, location management, and set making on larger commercial jobs. Yet, the core of my business has always been centered around making high-quality images of architecture and home decor.

Over the past year, I started to ask myself these questions: How else can I serve my clients? How can I help them with their imaging needs beyond the finished product? How can they get more value from working with me and my team? The more I asked myself these questions, the more I came back to the architectural lifecycle.

Design > Plan > Build > Deliver

What if I could offer imaging services at each of these stages? What if a client could have a consistent level of quality of imaging from a trusted partner; from someone who understands the end product as much as the beginning?

The answer to these questions came to me with two key findings:

Reality Capture

Enhanced Virtual Tours

Reality Capture is the process of using specialty cameras to scan and collect images and data of as-built conditions. These scans can be used to create enhanced virtual tours that not only allow you to virtually walk around a space but also get measurements of that space that are 97-99% accurate. In addition, the data we collect during a scan can be exported to XYZ Color Point Cloud and used in CAD workflow to create Scan to BIM outputs like schematic floor plans, elevations, a digital twin of the final project, and more.

We are proud to announce Reality Capture services are now available. Click here to learn more.

CGI Renderings

Full CGI Rendering

With recent advances in CGI (computer-generated imaging), photo realistic renders of architecture and home decor are finally possible at an affordable price. The CGI artists we work with can take your existing CAD files or PDF Floorplans and create a beautiful lifelike 3D model of your design. For Architects and Interior Designers, these renderings can be used to help you win your projects or previsualize the finished project. For Home Decor brands, the renders can replace having to photograph prototypes and can be used in everything from brochures to advertising.

To learn more about our CGI Services and see examples, click here.

Here for You at Any Stage

Combining these two services with my long history of architectural photography and retouching allows us to become a true full-service studio of architectural imaging. A studio dedicated to delivering the highest quality images and data for the needs of architects, interior designers, construction companies, engineers, and home decor brands.

 

Let’s take a journey together so you can see how our services all work together to benefit you.

Imagine you are working on a 10,000 sq ft interior remodeling project of a commercial building. In order to accurately estimate the project, you need it measured. Rather than go to the project and measure everything by hand, you send our Reality Capture team out to do the initial scan. Within 24 hours, we deliver to you  4K 3D virtual tour and a schematic floor plan of the as-built conditions. You feel confident in your bid because you know the costs are accurate based on the measurements taken. All your subs have looked at the space and are happy that they don’t have to visit the site in person just for a bid. You’re saving everyone time and money.

Now imagine you’ve won the job. Congrats! We can then take the original 3D Scan and convert the Point Cloud to a Revit or AutoCAD file ready for you to work on your remodel designs. Once you’re happy with your design work, you pass the file back to us and we will create a photo-realistic rendering for you. This way, if your client wants to see what furniture will look like in the space or if they want to see different options for the wall color. The renders give you and your client a clear vision of the finished project.

And now the construction phase begins. Because of your busy schedule, you can’t make it to the job site every week. Instead, you send our Reality Capture team to do weekly construction updates. You can keep an eye on the progress and discuss problems that may arise once the walls are opened up. You’ll be able to see what your contractor is seeing on-site. You can share the progress with your client and many of their questions can be answered with a quick glance rather than everyone taking time out of their day to visit the site. You can even tag points of interest like virtual blue tape for the punch list.

Finally, the remodel is complete and it’s ready to be photographed. Since we have been part of the process from the beginning, we already know the shots we’ll be taking and you won’t need to make a scouting visit. During the shoot, we will capture everything to a laptop workstation and compare the photos to the virtual tours and renderings. The final photos will be beautiful and our intimate knowledge of the project will help us capture the true spirit of the project.

After the photoshoot, we will retouch the images to enhance the look and remove distracting elements like exit signs and sprinkler heads. We will also follow up with the final scan and create a virtual tour as a gift to the client and as a record of delivery. The model can be used on your own website as a portfolio piece or a case study to pull out during presentations.

Now that is full-cycle architectural imaging.

Over the next few weeks, I will be posting video presentations of our new reality capture services. Please join our mailing list or subscribe to the blog to stay in the loop and learn more.

In the meantime, no matter where you are in the architectural lifecycle, we are here to help you with your imaging needs.

Please contact us today to get started.

Thank you!

Lincoln

UPDATED: Coronavirus Photoshoot Policy as of 8/3/2020

MoPOP Seattle by Frank Ghery
 
As a small business owner, I’m writing you today to let you know we take the current events of COVID-19 very seriously and want to outline what we are doing to protect you, your team, your clients, as well as myself and my team members.
 
I also understand the current economic situation may impact you in the short or long term and want to offer some flexible terms for your upcoming shoots.
 

Coronavirus Photo Policy

As of today, we can only perform shoots on assignment from media or real estate related photography (architecture, exteriors, and interiors with people at appropriate social distance.)  Here are our guidelines:
  • Photographer, crew, talent, and client must wear facemasks during the entire photoshoot. If talent is on set, talent may remove facemask as long as they are 6ft from anyone else.
  • Temperature check on set the day of shoot of all crew and clients.
  • All equipment shall be wiped down with antibacterial cleaning agent prior to use.
  • Hands washed and/or sanitized on arrival to location/set.
  • Shoes off and stored outside on all residential shoots.
  • Temporary no physical contact policy (handshakes, high fives, etc).
  • Photographer and crew must remain 6ft apart as much as possible
  • Remote art direction can occur but will limit the scope of shoot.
  • Hand washing before and after all meals and snacks.
  • Meals are to be eaten outdoors and with 6ft of space between people.
  • 24-hour cancellation fee waived if illness occurs.

Flexible Payment Terms

Because of the uncertain state of the economy, I am offering the following terms to reduce your upfront expenses on future photoshoots.

  • 12 Month Interest-Free Payment Plan – You may opt to spread the costs of a shoot over the next twelve months interest-free. After twelve months, payment is due in full or a 10% finance charge will be incurred on the balance every month.

  • 2, 5, & 10 Day Retainer Packages – If you know you have multiple shoots to do over the next year, I can create a custom retainer package and discount all fees by 20% (except travel costs).

  • Subscription Package – If you need ongoing photography, you can subscribe to a monthly service plan and pay a flat amount each month. The Monthly Subscription Fee ranges from $5000 to $500 depending on the number of shoots and usage. Feel free to contact me to set up a time to discuss.

I am watching the situation closely and will be sure to let you know if anything changes with our policies.

All the best and stay healthy,

Lincoln

Back to Work

Me on set for Hunter Douglas. Photo by Anna Yumul
Me on set for Hunter Douglas. Photo by Anna Yumul

 

The move back to Portland is complete and what a journey it’s been! Today is my first day in my home office and it feels great. Since May 20th, I’ve either been packing boxes, flying across the country with my family (including three cats), living out of suitcases in multiple AirBNBs, unpacking boxes, building furniture, or have been on location for a 9 day photo shoot for Hunter Douglas in the Bay Area. It’s been a little crazy to say the least.

I am so happy to be back and my return has been well received. On top of a long photo shoot next month for Hunter Douglas, I’ve also booked three architectural shoots this month and have had over a dozen inquiries. It’s almost like I never left.

Okay, I’m off to it! Have a great day!

Lincoln

PS: If you have any projects you need photographed, please reach out to me.

Tailoring Thomas – Portland Monthly November 2013

Tailoring Thomas - Portland Monthly November 2013

Here is a really cool shoot I did for last month’s issue of Portland Monthly. Thomas Lauderdale, of Pink Martini fame, has this amazing house/building right in downtown Portland. It recently went through a huge restoration and remodel led by artist and designer Philip Iosca. It’s a pretty stunning place to call home, but I could see how fun it would be live here. Thomas and Philip were both really wonderful to work with on the shoot. The three story building made for some logistical problems, but nothing you can’t fix with a pair of assistants. Art directed by Michael Novak, he used a lot of my photos for the final piece and I love the big spreads he designed. One of my finer shoots for Portland Monthly.

The rest of the spreads are below and a gallery of the images on their own. If you missed the print version, you can read it online here. Rock on!

(Note: I didn’t gray out that one ad on the bottom right because it’s one of my shots I did recently for my great client Green Hammer. Advertising and Editorial living in harmony.)

 

 

Portland Monthly July 2011 – Season’s Eatings

Man, do I love shooting food. I love it almost as much as eating it. And I feel really lucky because there’s no shortage of truly great food in Portland. In fact, the most difficult thing about food here is deciding what to eat. That’s why this story by Allison Jones was so great to photograph. It’s only a small sampling of the food choices here, but these 10 dishes were all so good that I would shoot this story over again in a heartbeat.

The tricky part of this shoot was getting everything to go together in layout. Jason Blackheart’s art direction was key in dealing with the various angles, shapes, and sizes of food. His goal was to keep it simple and about the food. We decided early on that we couldn’t shoot this in studio, but wanted to make it look like it was. It was going to be too challenging to set up a traditional table top setup inside all these restaurants, so Jason’s solution was to go light and shoot everything on white foam core. To keep the lighting consistent, we always shot with natural window light coming always from the right. My processing did the rest and the spread looks fantastic. One of my favorites this year. [Read more…] about Portland Monthly July 2011 – Season’s Eatings

ReadyMade – June/July 2011 Cover & Feature

UPDATE: Sad news to report. ReadyMade is folding and this will be their last issue. Best wishes to all the staff and contributers. May you find new work and many more great adventures.

I did it. After 9 years of hard work, thousands of hours of shooting, huge career highs and huge career lows, I have finally achieved one of the first goals I ever wrote down when I decided to become a photographer: I have the cover shot of a national magazine. Not only that, but the shoot is one I’m tremendously proud of and ReadyMade has been one of my top 10 editorial clients I’ve wanted to shoot for. It’s like icing on the cake.

Shot in Portland, OR, the Eyebrow House is an amazing remodel by architect Edgar Papazian of Doon Architecture. It’s curved, modern, and organic asthethic blew my mind. I’ve never seen anything quite like it (and I’ve shot a lot of houses). Edgar and his family were also really sweet and welcoming. The shoot was superbly art directed by Renda Morton of Rumors Studio and styling credit goes to the über-talented Bergren Rameson. The article was written by the brilliant Amara Holstein (who I’ve worked with many times before).

[Read more…] about ReadyMade – June/July 2011 Cover & Feature