architecture

“I” Becomes “We”

Announcing LINCOLN BARBOUR STUDIO

For much of my 18-year career, I have thought about my business as the lone photographer model. It’s been centered around just what I could do with my own hands. I’ve become an architectural and commercial photography expert and now have over 1000 shoots under my belt. I’ve shot for firms like ZGF, DLR Group, and IDL and for brands like Hunter Douglas, Rejuvenation, and Hilton.

Now that I’m 43 and looking ahead to the future of my business, I’ve decided to change the nature of what I can offer to the world. To transform the business from “I” to “We”. To work alongside a team of highly creative and talented people that will help me expand my services for the AEC and Home Decor markets I mainly serve. To grow the business beyond just my talents. To take my careful attention to detail, thoughtful preparation, and easy-going nature and scale it up, if you will.

IDL Portland

I’ve already been doing this sort of thing by outsourcing production services like casting, prop styling, location management, and set making on larger commercial jobs. Yet, the core of my business has always been centered around making high-quality images of architecture and home decor.

Over the past year, I started to ask myself these questions: How else can I serve my clients? How can I help them with their imaging needs beyond the finished product? How can they get more value from working with me and my team? The more I asked myself these questions, the more I came back to the architectural lifecycle.

Design > Plan > Build > Deliver

What if I could offer imaging services at each of these stages? What if a client could have a consistent level of quality of imaging from a trusted partner; from someone who understands the end product as much as the beginning?

The answer to these questions came to me with two key findings:

Reality Capture

Enhanced Virtual Tours

Reality Capture is the process of using specialty cameras to scan and collect images and data of as-built conditions. These scans can be used to create enhanced virtual tours that not only allow you to virtually walk around a space but also get measurements of that space that are 97-99% accurate. In addition, the data we collect during a scan can be exported to XYZ Color Point Cloud and used in CAD workflow to create Scan to BIM outputs like schematic floor plans, elevations, a digital twin of the final project, and more.

We are proud to announce Reality Capture services are now available. Click here to learn more.

CGI Renderings

Full CGI Rendering

With recent advances in CGI (computer-generated imaging), photo realistic renders of architecture and home decor are finally possible at an affordable price. The CGI artists we work with can take your existing CAD files or PDF Floorplans and create a beautiful lifelike 3D model of your design. For Architects and Interior Designers, these renderings can be used to help you win your projects or previsualize the finished project. For Home Decor brands, the renders can replace having to photograph prototypes and can be used in everything from brochures to advertising.

To learn more about our CGI Services and see examples, click here.

Here for You at Any Stage

Combining these two services with my long history of architectural photography and retouching allows us to become a true full-service studio of architectural imaging. A studio dedicated to delivering the highest quality images and data for the needs of architects, interior designers, construction companies, engineers, and home decor brands.

 

Let’s take a journey together so you can see how our services all work together to benefit you.

Imagine you are working on a 10,000 sq ft interior remodeling project of a commercial building. In order to accurately estimate the project, you need it measured. Rather than go to the project and measure everything by hand, you send our Reality Capture team out to do the initial scan. Within 24 hours, we deliver to you  4K 3D virtual tour and a schematic floor plan of the as-built conditions. You feel confident in your bid because you know the costs are accurate based on the measurements taken. All your subs have looked at the space and are happy that they don’t have to visit the site in person just for a bid. You’re saving everyone time and money.

Now imagine you’ve won the job. Congrats! We can then take the original 3D Scan and convert the Point Cloud to a Revit or AutoCAD file ready for you to work on your remodel designs. Once you’re happy with your design work, you pass the file back to us and we will create a photo-realistic rendering for you. This way, if your client wants to see what furniture will look like in the space or if they want to see different options for the wall color. The renders give you and your client a clear vision of the finished project.

And now the construction phase begins. Because of your busy schedule, you can’t make it to the job site every week. Instead, you send our Reality Capture team to do weekly construction updates. You can keep an eye on the progress and discuss problems that may arise once the walls are opened up. You’ll be able to see what your contractor is seeing on-site. You can share the progress with your client and many of their questions can be answered with a quick glance rather than everyone taking time out of their day to visit the site. You can even tag points of interest like virtual blue tape for the punch list.

Finally, the remodel is complete and it’s ready to be photographed. Since we have been part of the process from the beginning, we already know the shots we’ll be taking and you won’t need to make a scouting visit. During the shoot, we will capture everything to a laptop workstation and compare the photos to the virtual tours and renderings. The final photos will be beautiful and our intimate knowledge of the project will help us capture the true spirit of the project.

After the photoshoot, we will retouch the images to enhance the look and remove distracting elements like exit signs and sprinkler heads. We will also follow up with the final scan and create a virtual tour as a gift to the client and as a record of delivery. The model can be used on your own website as a portfolio piece or a case study to pull out during presentations.

Now that is full-cycle architectural imaging.

Over the next few weeks, I will be posting video presentations of our new reality capture services. Please join our mailing list or subscribe to the blog to stay in the loop and learn more.

In the meantime, no matter where you are in the architectural lifecycle, we are here to help you with your imaging needs.

Please contact us today to get started.

Thank you!

Lincoln

Case Study: Gallaudet Deaf Residence Hall for Dangermond Keane Architects

One of my greatest joys as a photographer is seeing my pictures help clients succeed. Just last week, I learned that my clients at Dangermond Keane Architects (DKa) were recognized by the AIA DC with the 2018 Presidential Citation in Universal Design for their work on the Gallaudet University Model Secondary School for the Deaf Residence Hall.

I shot this project for DKa during an icy cold snap in January of 2017. When we started with the dusk exteriors, it was a frigid 10° outside and – to add insult to injury – my laptop battery died within 20 minutes of shooting. Thankfully, we managed to have just enough juice to capture the shots we needed.

I actually set up two cameras to capture simultaneous dusk exposures from distinct angles. Bringing two cameras to shoots is a staple of mine, particularly beneficial during timely shots like these. After all, we only have a few minutes to get the perfect dusk shot and there’s never enough time to reset the camera. With two cameras going at once, I can easily double the effort.

The most interesting thing we needed to capture on this shoot was the DeafSpace principles used in the hall’s design. In essence, the spaces are tailor-made for visual conversation. From Gallaudet’s website:

“When deaf people congregate the group customarily works together to rearrange furnishings into a ‘conversation circle’ to allow clear sightlines so everyone can participate in the visual conversation.  Gatherings often begin with participants adjusting window shades, lighting and seating to optimize conditions for visual communication that minimize eyestrain. Deaf homeowners often cut new openings in walls, place mirrors and lights in strategic locations to extend their sensory awareness and maintain visual connection between family members.

These practical acts of making a DeafSpace are long-held cultural traditions that, while never-before formally recognized, are the basic elements of an architectural expression unique to deaf experiences. The study of DeafSpace offers valuable insights about the interrelationship between the senses, the ways we construct the built environment and cultural identity from which society at large has much to learn.”

DKa designed the common areas with clear lines of sight for visual communication (i.e. sign language). I worked with Chris Keane on the shoot to carefully set up the shots so that they would illustrate their technical understanding of DeafSpace. In addition, we had real students participating so there was an added challenge of communicating through an interpreter. I couldn’t just yell, “Hey – move over to left!” Instead, I was constantly running around set, doing my best to explain where I wanted them to be and what actions I wanted them to take. Through it all, the students were extremely cooperative, and working with them was a genuinely incredible experience.

Together, we produced some impressive work that I’m extremely proud of, and I’m elated to hear that DKa is (deservedly!) getting noticed for their efforts. Kudos to all!

Industrial-Chic Shoot Featured on Dwell

I’m always so excited for my clients when one of their projects I shoot for them gets published on a major industry site. Last week it was the New York Times, this week my client Emerick Architects was featured on Dwell for this amazing industrial-chic Portland warehouse they remodeled. Definitely one of those #loftgoals kinds of places. Here’s a snippet from the article:

Blending raw industrial elements with elegant detailing, this one-of-a-kind home is a poster child for adaptive reuse.

Inspired by the loft conversions of TriBeCa, a pair of former New Yorkers were keen on an industrial-chic aesthetic when they purchased an 8,000-square-foot warehouse to serve as their new home in Southeast Portland. To bring their adaptive-reuse abode to life, the couple tapped local studio Emerick Architects,

Read the whole article here: https://www.dwell.com/article/division-street-residence-emerick-architects-b642d074

Want to Get Your Work Published?

Over the past 16 years, I’ve shot for and been published in the top home decor and architecture magazines. When you work with me, I will gladly help you promote your project to my exclusive list of photo editors, bloggers, and influencers.

Contact me today to book your next shoot.

 

Luxe Magazine Cover Feature

2018 has started off great with this amazing cover feature I shot for January’s Pacific Northwest edition of Luxe Interiors + Design. Designed by husband and wife duo Holly Freres (JHL Design) and David Horning (MOA Architecture), this ultra cool coastal getaway was so much fun to shoot. I really admired the contrast of modern architecture and interior design with the natural rugged coastal surroundings. It was very zen and balanced. The whole house felt very cozy and the views stunning. Both Holly and David were there with me to help style the shots and clean the windows (thanks David).

True story: Holly texted me the day she got her copy head over heels that we made the cover. I was so excited for her and very proud to share these spreads with you. The full gallery is available in the WORK section of my website as well.

2016 in Review

Wow, where does the time go! This is my first “Year in Review” since 2011. Why the long drought? Well, the biggest change was that we welcomed our firstborn, Odin, in December of 2012. Two years later, came his sister Teagan in December of 2014. Three short months later, we moved back to Virginia to be closer to family. Yeah, it’s been a little busy.

2016 was my first full year back on the East Coast and it was a really good year for my business. It did come with some sacrifice though. Now that I’m based in a small town, I have to travel a lot more than I did when I was based in Portland. Of the 35 shoots I did last year, only 4 were in Charlottesville and just 16 in Virginia. I’ve flown more miles for work in the last two years than I did in the last 5 years I lived in Portland. I’ve had shoots in Buffalo, New York City, The Hamptons, LA, Silicon Valley, DC, Ohio, Maryland, Mississippi, Alabama, Tennessee, San Diego, and have been back to Portland, OR 3 times. I was on the road or flying for 57 days in 2016 with one shoot lasting almost two weeks.

I really have to thank my wonderful wife, Lauren, and our family in Virginia for their support and help with our young family during this time of transition. I feel very grateful to have them so that I can do something I love for a living and that it’s able to help support a family of 4 (7 if you count our three cats 🙂

On to the work. I have a lot of images to share and I’ll give a brief comment what each shoot was for. Coming soon will be a big update to my portfolios featuring work I’ve shot for Hunter Douglas, Better Homes & Gardens, Country Living, Prometheus Real Estate Group, and many more. Thanks for visiting and looking forward to an even better 2017.

Country Living Cover Feature – I actually shot this in 2015, but it wasn’t published until January of 2016. A cover feature is a really nice way to start the year. Shot in Franklin, TN (near Nashville), I had a great time on this shoot because it was a beautiful home to photograph and, more importantly, the owners were so friendly. They had that true Southern Charm that just makes you feel like you’ve known them for years.

One of my trips back to Portland included doing a shoot of Jessica Helgerson’s new office space in downtown. It’s amazing open space and the front lobby is used a gallery. When I shot it, the installation I HAVE LOVE IN MY HEART AS A THIEF HAS RICHES by Mike Rathbun was truly something to behold.

[Read more…] about 2016 in Review

Tailoring Thomas – Portland Monthly November 2013

Tailoring Thomas - Portland Monthly November 2013

Here is a really cool shoot I did for last month’s issue of Portland Monthly. Thomas Lauderdale, of Pink Martini fame, has this amazing house/building right in downtown Portland. It recently went through a huge restoration and remodel led by artist and designer Philip Iosca. It’s a pretty stunning place to call home, but I could see how fun it would be live here. Thomas and Philip were both really wonderful to work with on the shoot. The three story building made for some logistical problems, but nothing you can’t fix with a pair of assistants. Art directed by Michael Novak, he used a lot of my photos for the final piece and I love the big spreads he designed. One of my finer shoots for Portland Monthly.

The rest of the spreads are below and a gallery of the images on their own. If you missed the print version, you can read it online here. Rock on!

(Note: I didn’t gray out that one ad on the bottom right because it’s one of my shots I did recently for my great client Green Hammer. Advertising and Editorial living in harmony.)