ReadyMade

Twenty Eleven – A Year of Work

I’m a little late for an end of year review, but here it is none the less. Speaking purely from a financial point of view, 2011 was a lot like 2010 in that it was way better than 2009, but not quite as good as 2008. However, the photographs I created in 2011 are some of my best yet and I’ve never had more fun being a photographer. I really feel like my style and approach are starting to gel and I’m looking forward to what 2012 and beyond brings. Here are some of my favorite shots from last year.

Thank you to all my clients for making this year so great. You all are a truly a pleasure to work for and I look forward to many more projects together.

Also, thank you to all the stylists, models, assistants, art directors, photo editors, art buyers, and marketing directors I’ve worked with this year. The success of all these shoots wouldn’t have been possible without your collaboration.

Finally, a special shout out to Justin Tunis and Daniel Cronin for being two excellent go to assistants. Thank you for your hard work, your professionalism on set, and being easy to travel with. I’ll be calling you soon.

ReadyMade – June/July 2011 Cover & Feature

UPDATE: Sad news to report. ReadyMade is folding and this will be their last issue. Best wishes to all the staff and contributers. May you find new work and many more great adventures.

I did it. After 9 years of hard work, thousands of hours of shooting, huge career highs and huge career lows, I have finally achieved one of the first goals I ever wrote down when I decided to become a photographer: I have the cover shot of a national magazine. Not only that, but the shoot is one I’m tremendously proud of and ReadyMade has been one of my top 10 editorial clients I’ve wanted to shoot for. It’s like icing on the cake.

Shot in Portland, OR, the Eyebrow House is an amazing remodel by architect Edgar Papazian of Doon Architecture. It’s curved, modern, and organic asthethic blew my mind. I’ve never seen anything quite like it (and I’ve shot a lot of houses). Edgar and his family were also really sweet and welcoming. The shoot was superbly art directed by Renda Morton of Rumors Studio and styling credit goes to the über-talented Bergren Rameson. The article was written by the brilliant Amara Holstein (who I’ve worked with many times before).

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